AMARGER, M.; DIOP, M’Bissine; RUELLE, C. Islam, croyances et négritude dans les cinémas d’Afrique, Africultures 47, Paris: Harmattan, 2002.

ARENDT, H. The human condition. Chicago: University of Chicago Press, 1958.

ARMES, Roy. Third world filmmaking and the west. Berkeley: University of California Press, 1987.

AWDE, N.; SAMANO, P. The Arabic language. Londres: Saqi Books, 1986.

BACHY, Victor. La Haute Volta et le cinéma. Brussels: OCIC, 1983.

BALIO, T. United Artists. Madison: University of Wisconsin Press, 1976.

BALOGUN, Françoise. Le cinéma au Nigéria. Paris: OCIC, 1984.

BALOGUN, Ola. Shango, suivi de Le Roi-Éléphant. Honfleur: Pierre Jean Oswald, 1968.

BARLET, Olivier. Les nouveaux paradoxes des cinémas d’Afrique noire, Africultures 65, Paris, out./dez. 2005.

BARLET, Olivier. Les cinémas d´Afrique noire: le regard en question. Paris:
L´Harmattant, 1996.

BARLET, Olivier. Le regard occidental sur les images d´Afrique, Africultures, n. 1, Paris: L´Harmattan, out. 1997.

BARLET, Olivier. L’ exception africaine, Africultures, n. 45, Paris: L´Harmattan, 2002.

BARLET, Olivier. Postcolonialisme et cinéma: de la différence à la relation, Africultures, n. 28, Paris: L’Harmattan, mai. 2000.

BARLET, Olivier. Les nouvelles stratégies des cinéastes africains, Africultures, n. 41, Paris:L’Harmattan, out. 2001.

BARROT, Pierre (Ed.). Nollywood: le phénomène vidéo au Nigeria. Paris: L’Harmattan, 2005.

BARROT, Pierre. Nollywood: le phénomène vidéo au Nigeria. Paris: L´Harmattan. In: RUELLE, Catherine (Org.). Afriques 50: singularités d’un cinéma pluriel. Paris: L’Harmattan, Collection Images Plurielles, 2005.

BERMAN, R. Rights and writing in South Africa, Telos 75, 1988.

BJORNSON, Richard. The African quest for freedom and identity: Cameroonian writing and the national experience. Bloomington: Indiana University Press, 1994.

BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

BOUGHEDIR, Ferid. Le cinéma en Afrique et dans le monde. Paris: Jeune Afrique Plus, 1984.

BOUGHEDIR, Ferid. Actes du colloque, Université Paris x Nanterre, dez. 1981. In: MAAREK, P. J. (Ed.). Afrique noire: quel cinéma? Paris: Association du Cinéclub de l’Université de Paris X, 1983.

BOUGHEDIR, Ferid. Cinémas nationaux et politiques cinématographiques en Afrique noire: du rêve Sud-Sud à la défense de la diversité culturelle. In: RUELLE, Catherine (Org.). Afriques 50: singularités d’un cinéma pluriel. Paris: L’Harmattan, Collection Images Plurielles, 2005.

BOUZID, Nouri. New realism in Arab cinema: the defeat-conscious cinema. In: GHAZOUL, F. J. (Ed.). Arab cinematics: towards the new and the alternative. Alif: Journal of Comparative Poetics 15, 1995.

BRAHIMI, Denise. Cinémas d’Afrique francophone et du Maghreb. Paris: Nathan, 1997.

CHOUIKH, Mohamed. On croyait être le cheval de Troie qui ferait bouger les choses de l’intérieur. In: Où va le cinéma algérien?, Cahiers du Cinéma, edição especial. Paris, fev./mar. 2003.

CONVENTS, Guido. L’ Afrique? Quel cinéma? Un siècle de propagande colonial et de film africains. Envers-Belgique: Éditions EPO, 2003.

DAVIDSON, Basil. The search for Africa. Londres: James Currey, 1994.
DIAWARA, Manthia. African cinema: politics and culture. Bloomington: Indiana University Press, 1992.

DAVIS, P. Darkest Hollywood: exploring the jungles of cinema´s South Africa. Johannesburg: Ravan Press, 1996.

DELAFIN, Antoinette. Des africains sur la Croisette, 22 mai. 2007. Disponível em: http://www.rfi.fr/actufr/articles/089/article_52046.asp>. Acesso em: 27 jun. 2007.

DIAWARA Manthia. La littérature africaine et l’expédition rwandaise, Africultures, n. 48, Paris: L´Harmattan, 2002.

FANON, Frantz. The wretched of the earth. Nova York: Grove Press, 1963.

FANON, Frantz. The wretched of the earth. Harmondsworth: Penguin, 1967.

FRODON, Jean-Michel (Ed.). Au Sud du Cinéma. Paris: Cahiers du Cinéma/Arte Editions, 2004.

FRANK, G. The development of underdevelopment. Nova York: Monthly Review Press, 1966.

FRODON, Jean-Michel. La projection nationale: cinéma et nation. Paris: Odile Jacob, 1998.

FRODON, Jean-Michel. (Org.). Au sud du cinéma: films d´Afrique, d´Asie et d´Amérique Latine. Paris: Cahiers du Cinéma, 2004.

FRU – Film Resource Unit. Proposal for the creation of a national network of Video Distribution Operators ( VDOs), 1997.

GARDIES, André. Cinéma d´Afrique noire francophone: l´espace miroir. Paris: L´Harmattan, 1989.

GERARD, Jacques. In: MAAREK, J. J. (Ed.). Afrique noire: quel cinéma? Paris: Association du Cinéclub de l’Université de Paris X, 1983.

GOVERNMENT of National Unity. White paper on film policy. Cape Town: Government of National Unity of South Africa, 1996.

GUIDE du cinéma africain, 1989-1999. Paris: Écrans Nord-Sud, 2000.
HARROW, Kenneth (Ed.). The marabout and the muse: new approaches to Islam in African fiction. Portsmouth, Novo Hamburgo e Londres: Heinemann and James Curry, 1996.

GUTSCHE, T. The history and social significance of Motion Pictures in South Africa, 1895-1940. Cape Town: Howard Timmins, 1972.

HAYNES, Jonathan. Nigerian video films. Jos: Nigerian Film Corporation, 1997. HAYNES, Jonathan. African filmmaking and the postcolonial predicament: Quartier Mozart and Aristotle’s Plot’. In HARROW, K. J. (Ed.). African cinema: postcolonial and feminist readings. Trenton, Asmara: Africa World Press, 1999.

HAYNES, R.; TOMASELLI, K. G. Toward a political economy of the South African film industry in the 1980s. In: LEHMAN, C.; MOORE, R. (Eds.). Multinational culture: social impacts of a global economy. Westport: Greenwood Press, 1992.

HAMMOND, A. Ster Kinekor embarks on building programme, Showdata Market Daily 2.1, 1997. Disponível em: <http://www.showdata.org.za>.

HALL, Stuart. Da Diáspora: identidades e mediações culturais. Belo Horizonte: UFMG, 2003.

HAMMOND, A. Bumper market kicks off, Showdata Market Daily 2.1, 1997. Disponível em: <http://www.showdata.org.za>.

HAMMOND, A. South Africa signs co-production treaty with Canada, Showdata Market Daily 2.4, 1997, p. 1. Disponível em: <http://www.showdata.org.za>.

HELLER, A. A theory of history. Oxford: Basil Blackwell, 1984.

HENNEBELLE, G.; RUELLE, C. Cinéastes de l’Afrique noire. Paris: Fespaco/CinémAction 3/L’Afrique littéraire et artistique 49, 1978

HENNEBELLE, G.; RUELLE, C. Cinéastes d’Afrique Noire, Afrique littéraire et artistique, 1978. HULL, Richard W. Modern Africa: change and continuity. Englewood Cliffs: Prentice- Hall, 1980.

ISSA, Maïzama. Omarou Ganda, cinéaste nigérien: un regard de dedans sur la société en transition. Dakar: EnaÉdition, 1991.

KARÈCHE, Boujemaa, Entrevista in: em Où va le cinéma algérien?, Cahiers du Cinéma, edição especial. Paris, fev./mar. 2003.

KAYE, Jacqueline. Maghreb: new writing from North Africa. Nova York: Talus Editions, 1992.

KAYE, Jacqueline; ZOUBIR, Abdelhamid. The ambiguous compromise: language, literature and identity in Algeria and Morocco. Londres e Nova York: Routledge, 1990.

KESSLER, Frank. Le cinéma des premiers temps et la construction des faits spectatoriels, Réseaux: cinéma et réception . Paris, vol. 18, n. 99, 2000.

KHELIL, Hédi. Resistances et utopies: essais sur le cinéma arabe et africain. Tunis: Editions Sahar, 1994.

KLEIN, M. Top-Dog kirsh sees beauty where others turn up noses, Business Tome, Sunday Times, p. 5, 3 ago. 1997.

LANGE, J. de. The history of the film in South Africa. Pretoria: National Film
Archives, s.d.

L’ATLAS du Cinéma, Cahiers du Cinéma, edição especial. Paris, abr. 2003.

LELIÈVRE, Samuel (Ed.). Cinémas africains, une oasis dans le désert? Paris: Corlet/ Télérama/CinémAction 106, 2003.

LEQUERET, Elisabeth. Afrique noire: des lumières dans le désert. In: FRODON, J. M. (Ed.). Au Sud du Cinéma. Paris: Cahiers du Cinéma/Arte Editions, 2004.

LEQUERET, Elisabeth. Le cinéma africain: un continent à la recherche de son propre regard. Cahiers du Cinema (Les Petits Cahiers). Paris: Scérén-CNDP, 2003.

LIZIO, Eder. Nigeria video plein la vue. L’Autre Afrique 13, 2002.

LOUW, P. E.; TOMASELLI, K. G. The semiotics of apartheid: the struggle for the sign, S-European Journal for Semiotic Studies, 1991.

LOW, R. The history of the british film 1905-1914. Londres: Allen and Unwin, 1973.

MAHERZI, Lotfi. Le cinéma algérien: institutions, imaginaire, idéologie. Algiers: SNED, 1980.

MAQUET, Jacques. Civilisations of Black Africa. Nova York: Oxford University Press, 1972.

MEDA, Stanislas Bemile. Le film Africain face à la competition: analyse des prix étalon de Yennenga de 1972 à 2005. Tese de doutorado defendida na IUT Michel de Montaigne-Université de Bordeaux 3, 15 dez. 2006.

MEINTJIES, F. In the Townships. In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

MEMMI, Albert. The colonizer and the colonized. Londres: Souvenir Press, 1974.

MILLET, Raphaël. (In)dépendance des cinémas du Sud &/vs France. Paris: Théorème 5, 1998.

MFON, J.; STEPHEN, A.; SELBAR, J. Cinema: cracks on the mirror – suffers from ‘Videomiasis’, Society hunch and lack of personnel, Film & Video 2.1,1994.

MULLER, J.; TOMASELLI, K. G. Becoming appropriately modern: towards a genealogy of cultural studies in South Africa. In MOUTON, J.; JOUBERT, D. (Eds.). Knowledge and method in the human sciences. Pretoria: HSRC, 1990.

MURRAY, J. Statements on ethnic cinema: how greed killed the industry. In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

NGAKANE, L. The prospects of South African cinema as seen by Lionel Ngakane, Écrans d’Afrique, n. 20, 1997.

NGANSOP, G. J. Le cinéma camerounais en crise. Paris: L’Harmattan, 1987.
NZÉLOMONA, Berthin (Ed.). La francophonie. Paris:  Recherches
Africaines 5, 2001.

NGUBANE, B. S. Communication and Development Symposium, Pretoria, ago. 1996.

O’BRIEN, D. B. C.; RATHBONE, R. Introduction. In: O’BRIEN, D. B. C.; DUNN, J.; RATHBONE, R. (Eds.). Contemporary west African States. Cambridge: Cambridge University Press, 1989.

O’BRIEN, D. B. C. Symbolic confrontations: Muslims imagining the state in Africa. Londres: Hurst & Co., 2003.

ODIN, Roger (Org.). La question du public, approche sémio-pragmatique, Réseaux: cinéma et réception. Paris, vol. 18, n. 99, 2000.

OHA, Obododimma. The rhetoric of Nigerian christian videos. HAYNES, J. Nigerian video films, 1a ed. Ohio: Ohio University Center for International Studies/Nigerian Film Corporation, 1997.

OHA, Obododimma. Yoruba christian video, Cahiers d’Études Africaines 165,2000.

OKALA, Jean-Tobie. Les télévisions africaines sous tutelle. Paris: L´Harmattan, 1999.

OLIVER, Roland. The African experience. Londres: Weidenfeld & Nicolson, 1999.

READER, John. Africa: a biography of the continent. Harmondsworth: Penguin, Books, 1998.

O’MEARA, D. Volkskapitalisme: class, capital and ideology in the development of Africaner nationalism. Johannesburg: Ravan, 1983.

ROBINSON, David. Muslim societies in African history. Cambridge: Cambridge University Press, 2004.

ROITFELD, Jacques. Afrique noire francophone. Paris: Unifrance, 1980.

SERVANT, Jean-Christophe. Boom de la video domestique au Nigeria, Le Monde Diplomatique, fev. 2001.

SHAFIK, Viola. Arab cinema. Cairo: The University of Cairo Press, 1998.

SHEPPERSON, A.; TOMASELLI, K. G. South African cinema beyond apartheid: affirmative action in distribution and storytelling. In: AKADINOBE, J.; ZEGEYE, A. (Eds.). African cinema and its imaginaries. London: Darmouth, 2000.

SILBER, G. Tax, Lies, and Videotape: who killed the South African film industry? In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

SMOODIN, E. Motion Pictures and television, 1930-1945: a pre-history of the relations between the two media, Journal of the University Film and Video Association 34.3, 1982.

STEWART, J. RDP in the real world: devil of a problem for competition board over Ster-Kinekor, Finance Week, out. 1994.

STORA, Benjamin. La guerre invisible: Algérie, années 90. Paris: Presses de Sciences PO, 2001.

STREBEL, E. Primitive propaganda: the boer war films, Sight and Sound 46.1, 1977.

STUART, F. The effects of television on the Motion Picture industry: 1948-1960. In: KINDEM, G. The American movie industry: the business of Motion Pictures. Carbondale: Southern Illinois University Press, 1982.

SUNDAY Times, 12 ago. 1962.

TABOULAY, Camille. Le cinéma métaphorique de Mohamed Chouikh. Paris: K Films Editions, 1997.

TAPSOBA, Clément. Cinéastes d’Afrique noire: parcours d’un combat révolu. In: RUELLE, Catherine (Org.). Afriques 50: singularités d’un cinéma pluriel. Paris: L’Harmattan, Collection Images Plurielles, 2005.

TAYLOR, T. S. Genres in accented English: ninjas in the third world. In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

TEICHER, Gaêl. Moustapha Alassane cinéaste. Paris: Les Éditions de l’Oeil, 2003.

THACKWAY, Melissa. Africa shoots back: alternative perspectives in sub-saharan francophone African film. Londres: James Currey, 2003.

TOMASELLI, K. G. Capitalism and culture in South African cinema: jingoism, nationalism, and the historical epic, Wide Angle 8.2, 1986.

TOMASELLI, K. G.; Tomaselli, R. E. Before and after television: the South African audience, Current research in film: audiences, economics, and the law. Norwood: Ablex Publishing, 1987.

TOMASELLI, K. G.. The cinema of apartheid: race and class in South African film. Nova York: Smyrna Press, 1988.

TOMASELLI, K. G.; ZYL, M. V. Themes, myths, and cultural indicators: the structuring of popular memories. In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

TOMASELLI, K. G.; PRINSLOO, J. Third cinema in South Africa: the anti-apartheid struggle. In: BLIGNAUT, J.; BOTHA, M. (Eds.). Movies-Moguls-Mavericks: South African cinema, 1979-1991. Cape Town: Showdata, 1992.

TOMASELLI, K. G.; SHEPPERSON, A. Misreading theory and sloganizing analysis: the development of South African media film policy, South African Theatre Journal 10.2, 1996.

TOMASELLI, K. G. Ownership and control in the South African print media: black empowerment after apartheid, 1990-1997, Ecquid Novi 18.1, 1997.

TURÉGANO, Teresa Hoefert de. African cinema and Europe: close-up on Burkina Faso. Florence: European Press Academic, 2005.

VIEYRA, P. S. Le cinéma Africain: des origines à 1973. Paris: Présence Africaine, 1975.

WILLIAMS, J. J. Report of the arts and culture task group presented to the Minister of Arts, Culture, Science and Technology, Critical Arts 10.1, jun. 1996, 1996.