Cinema Europa

Cinema Europa

ADLER, Tim. European production outstrips US by one third, Screen Finance, p. 4, 30 jul. 2003.

BENSI, Paola. Which market for European films? An analysis of the circulation of European films in 2002. Cannes: Media Salles, 20 mai. 2004.

BRUNETTA, G. P. Storia del cinema italiano, 1895-1945. Roma: Riuniti, 1979, p. 303.

CORSI, B. Con dollaro in meno. Storia economica del cinema italiano. Roma: Riuniti, 2001, p. 23.

COUNCIL OF EUROPE. Finance and taxation in the audio-visual sector in Europe, CDMM (89)5, Secretariat Memorandum preparado pela Diretiva dos Direitos Humanos, Strasbourg, 1989.

COUNCIL OF EUROPE. Finance and taxation in the audio-visual sector in Europe, Mass Media Files, Strasbourg, 1991.

CUEVAS, A. Economía cinematográfica. La producción y el comercio de películas. Madrid: Imaginografo, 1999, p. 85.

CULTURE AND EDUCATION COMMITTEE. Cinema and State. Lisboa, 14 a 16 jun. 1978.

DIBIE, J. N. Aid for cinematographic and audio-visual production in Europe, Paris: Dixit, 1992.

ELSAESSER, Thomas. European cinema: face to face with Hollywood. Amsterdam: Amsterdam University Press, 2005.

EAO – European Audiovisual Observatory, Statistical Yearbook, v. 1, Brussels, 2005.

EAO – European Audiovisual Observatory. European audiovisual works: definition of one of the audiovisual sector’s key notions in European law. Disponível em: http://www.obs.coe.int/online_publication/expert/europ_av_work.pdf. Acesso em: 05 fev. 2005.

EAO – European Audiovisual Observatory. Making and distributing films in Europe: the problem of nationality. Disponível em: <http://www.obs.coe.int/online_publication/reports/00001259.html>. Acesso em: 5 fev. 2005.

EVERETT, Wendy. European identity in cinema. Bristol: Intellect, 2005.

FATTOROSSI, Romano. European Cinema Journal, v. 2, n. 2, p. 1, 2000.

FINNEY, Angus. Developing feature films in Europe: a practical guide. Londres: Routledge, 1996.

FORBES, J.; STREET, S. European industry: an introduction. Nova York, Palgrave, 2000.

HILL, John. The future of European cinema: the economics and culture of pan-european strategies. In: HILL, J.; MCLOONE, M.; HAINSWORTH, P. Border crossing: film in Ireland, Britain and Europe. Londres: BFI Publishing, 1994, pp. 53-80.

ILLOT, Terry. Budgets and markets. Londres: Routledge, 1996.

JÄCKEL, Anne. European film industries. Londres: BFI Publishing, 2003.

JODLOWSKI, C.; ANDERSEN, L. Financing cinematographic production in Europe, 8a Conferência dos Ministérios Europeus responsáveis pelas Relações Culturais, Budapeste, 28-29 out. 1996, Strasbourg, CM (96)4, 1998.

NOWELL-SMITH, Geoffrey. Introduction. In: NOWELL-SMITH, G.; RICCI, S. (Eds.). Hollywood and Europe: economics, culture, national identity 1945-1995, Londres: British Film Institute, 1998, pp. 1-16.

PARDO, Alejandro (Ed.). The audiovisual management handbook. Madrid: Media Business School, 2002.

PARDO, Alejandro. The Europe-Hollywood competition: cooperation and competition in the global film industry and markets, Cultural Production in Global Content: the worldwide film industries, Nova York: New York Stern School of Business, 10-12 mai. 2007.

PUTTNAM, D.; WATSON, N. The undeclared war: the struggle for control of the world’s film industry, Londres: HarperCollins, 1997.

RODIER, Melanie. Italian film body Filmitalia loses chief executive, Screen Daily, Roma, 6 fev. 2006.

ROUET, F. Des aides à la culture, le soutien public aux industries de la culture en Europe et au Québec, Pierre Mardaga, Bruxelles, 1987.

SCREEN DIGEST. World film production/distribution, pp. 205-212, jun. 2006a.

SCREEN DIGEST. Global cinema exhibition trends, pp. 333-340, out. 2006b.

SOJCHER, F. La kermesse héroïque du cinéma belge, vol. 1. Des documentaires et des farces (1896-1965), Paris: L’Harmattan, 1999.

VALTER, G. Le regime de l´organisation professionnelle de la cinématographie, du corporatisme au régime administratif. Librairie générale de jurisprudence, Paris, 1969.

VINCENDEAU, Ginette. Issues in European cinema. In: HILL, J.; GIBSON, P. C. (Eds.). The Oxford guide to film studies. Oxford: Oxford University Press, 1998, pp. 440-448.

WAYNE, Mike. The politics of contemporary European cinema: histories, borders, diasporas. Bristol: Intellect Books, 2002.

Inglaterra

BAILLIEU, B.; GOODCHILD, J. The british film business. Londres: John Wiley & Sons, 2002, p. 61.

BARR, Charles (Ed.). All our yesterdays: 90 years of British cinema. Londres: BFI, 1986.

BFI – British Fil Institute. BFI Film and Television Handbook, 1985-2005. Londres: BFI.

CHANAN, Michael. The Emergence of an Industry. In: CURRAN, J.; PORTER, V. (Eds.). British cinema history. Londres: Weidenfield and Nicholson, 1983.

CHRISTIE, Ian. Will Lottery money assure the British film industry?, New Statesman, p. 38, 20 jun. 1997.

COOK, Pam (Ed.). Gainsborough pictures. Londres: Cassell, 1998.

CURRAN, J.; PORTER, V. (Orgs.). British cinema history. Londres: Weidenfield and Nicholson, 1983.

DALE, Martin. The movie game: the film business in Britain, Europe and America. Londres: Cassell, 1997.

DAWTRY, Adam. Channel 4 confirms FilmFour closure, Variety, 9 jul. 2002. Disponível em: <http://www.variety.com/article/VR1117869446.html?c=19>. Acesso em: mai. 2007.

DEANS, Jason. Film Four: where did it all go wrong?, Guardian Unlimited, 8 jul. 2002. Disponível em: <http://media.guardian.co.uk/broadcast/story/0,,751583,00.html>.
Acesso em: jun. 2005.

DICKINSON, Margaret; STREET, Sarah. Cinema and state: the film industry and the british government, Londres: BFI, 1985.

DICKINSON, Margaret; HARVEY, S. Public policy and public funding for film: some recent developments in the UK, Screen, pp. 87-95, 2005.

DYJA, Eddie (Ed.). BFI Film and Television Handbook 1996. Londres: BFI, 1996, pp. 24-28.

HANSON, Stuart. Spoilt for choice? Multiplexes in the 90s. In: MURPHY, Robert (Ed.). British Cinema of the 90s. Londres: BFI, 2000, pp. 48-59.

HIGSON, Andrew. Great Britain. In: KINDEM, Gorham (Ed.). The international movie industry. Carbondale: Southern Illinois University Press, 2000, pp. 234-246.

HIGSON, Andrew. Waving the flag: constructing a national cinema in Britain. Oxford: Oxford University Press, 1995.

HMSO. House of Commons Standing Committee A (pt 5), Column 367, UK Parliament. Disponível em: http://www.publications.parliament.uk/pa/cm200304/cmstand/a/st040525/am/40525s05.htm>. Acesso em: abr. 2006.

JACKSON, Michael apud JURY, Louise. Channel 4 plans bigger films to rival Hollywood, Independent Online, 2 mai. 2001. Disponível em: <http://news.independent.co.uk/media/article242259.ece>. Acesso em: mai. 2007.

MOGGACH, Deborah. Gordon Brown killed my movie, Guardian Unlimited, 20 jan. 2005. Disponível em: <http://film.guardian.co.uk/features/featurepages/0,,1394597,00.html>. Acesso em: abr. 2007.

MURPHY, Robert (Ed.). British cinema of the 90s. Londres: BFI, 2000.

NAPPER, Lawrence. A despicable tradition? Quota quickies in the 1930s. In: MURPHY, Robert (Ed.). The british cinema book. Londres: BFI, 1997.
STREET, Sarah. British national cinema. Londres e Nova York: Routledge, 1997.

THE UNITED KINGDOM PARLIAMENT, Select Committee on Culture, Media and Sport Written Evidence, Submissão 22, “Memorandum submitted by the Film Export Group”, set. 2003.

THE UNITED KINGDOM PARLIAMENT, Select Committee on Culture, Media and Sport Written Evidence, Submissão 43, “Memorandum submitted by the Film Export Group”, set. 2003, p. 2.

UK FILM COUNCIL. Tax relief for the production of low budget British films. Disponível em: <http://www.ukfilmcouncil.org.uk/usr/downloads/BFC_UKFCI/finance/TaxRelief_Sale_Leaseback.pdf>. Acesso em: set. 2005.

UK FILM COUNCIL. UK Film Council welcomes announcement of new tax credit following expiry of Section 48, 17 mar. 2004. Disponível em: <http://www.ukfilmcouncil.org.uk/information/news/?p=D4A1572507bd823943JqM2167D71>. Acesso em: mai. 2007.

UK FILM COUNCIL, Group and Lottery Annual Report and Financial Statements for the year ended, 31 mar. 2004, p.19.

Alemanha

BERGFELDER, T.; CARTER, E.; GÖKTÜRK, D. (Eds.). The German cinema book. Londres: British Film Institute, 2002.

BISKY, Lothar. Trends of Film Culture in the GDR. In; GERBER, Margy (Ed.). Studies in GDR Culture and Society 8. Lanham: University Press of America, 1988, pp. 37-45.

ELSAESSER, T.; WEDEL, M. (Eds.). The BFI Companion to German cinema. Londres: British Film Institute, 1999.

ELSAESSER, T. A second life: German cinema’s first decades. Amsterdam: University of Amsterdam Press, 1996.

ELSAESSER, T. The new German cinema: a history. New Brunswick e Nova Jersey: Rutgers University Press, 1989.

FEHRENBACH, Heide. Cinema in democratizing Germany: reconstructing national identity after Hitler. Chapel Hill: University of North Carolina Press, 1995.

HAKE, Sabine. German national cinema. Nova York: Routledge, 2002.

HAKE, Sabine. Popular Cinema in the Third Reich. Austin: University of Texas Press, 2002.

HAKE, Sabine. The cinema’s 3rd machine: writing on film in Germany 1907-1933. Lincoln: University of Nebraska Press, 1993, pp. 3-26.

HUACO, George. Sociology of Film Art. Nova York e Londres: Basic Books, 1965, pp. 35-36.

KREIMEIER, Klaus. The UFA-story: a history of Germany’s greatest film company. Nova York: Hill and Wang, 1996. (original German edition, Munich: Hanser, 1992)

MOLTKE, Johannes von. No place like home: locations of Heimat in German cinema. Berkeley: University of California Press, 2005.

MUER, K. The UFA story: a history of Germany´s greatest film company, 1918-1945, traduzido do alemão por R. e R. Kimber, Califórnia: University of California Press, 1999.

MURRAY, Bruce. Film and the German left in the Weimar Republic: from “Caligari” to “Kuhle Wampe”. Austin: University of Texas Press, 1990.

RENTSCHLER, Eric. The ministry of illusion: nazi cinema and its afterlife. Cambridge: Harvard University Press, 1996.

SAUNDERS, T. J. Hollywood in Berlin: American cinema and Weimar Germany. Berkeley e Los Angeles: University of California Press, 1994.

SILBERMAN, Marc. What is German in the German cinema?, Film History 8.3, 1996, pp. 304-305.

SILBERMAN, Marc. German cinema: texts in context. Detroit: Wayne State University Press, 1995, pp. 114-127.

THOMPSON, Kristin. National or international films? The European debate during the 1920s, Film History 8.3, 1996, pp. 96-281.

THOMPSON, Kristin. Exporting entertainment: America in the world film market 1907-1934. Londres: British Film Institute, 1985, pp. 111-128.

AMEND, Heiko. Deutsche Filme im Fernsehen. In: AMEND, Heike; BÜTOW, Michael (Eds.). Der Bewegte Film: Aufbruch zu neuen deutschen Erfolgen. Berlim: Vistas, 1997, p. 58.

BECKER, Wolfgang. Film und Herrschaft: Organisationsprinzipien und Organisationsstrukturen der nationalsozialistischen Filmpropaganda. Berlim: Volker Spiess, 1973.

BEER, Caroline. Die Kinogeher: Eine Untersuchung des Kinopublikums in Deutschland. Berlim: Vistas, 2000.

BERGER, J.; REICHMANN, H. P.; WORSCHECH, R. (Eds.). Zwischen Gestern und Morgen: Westdeutscher Nachkriegsfilm 1946-1962. Frankfurt: Deutsches Filmmuseum, 1989.

BOCK, Hans-Michael; TÖTEBERG, Michael (Eds.). Das Ufa-Buch: Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Frankfurt: Zweitausendeins, 1992.

DREWNIAK, Boguslaw. Der deutsche Film 1938-1945. Düsseldorf: Droste, 1987. FESTENBERG, Nikolaus von. Viele Jäger, arme Hasen, Der Spiegel 48, pp. 244-246, 1998.

HANISCH, Michael. Auf den Spuren der Filmgeschichte. Berlim: Henschel, 1991. HAUSER, Johannes. Neuaufbau der westdeutschen Filmwirtschaft 1945-1955. Pfaffenweiler: Centaurus Verlagsgesellschaft, 1989.

JACOBSEN, Wolfgang (Ed.). Babelsberg: Ein Filmstudio 1912-1992. Berlin: Argon, 1992.

JACOBSEN, Wolfgang; KAES, Anton; PRINZLER, H. H. (Eds.). Geschichte des deutschen films. Stuttgart and Weimar: Metzler, 1993.

JOSSÉ, Harald. Die Entstehung des Tonfilms: Beitrag zu einer faktenorientierten Mediengeschichtsschreibung. Freiburg e Munich: Alber, 1984.

JUNG, Uli (Ed.). Der deutsche Film: Aspekte seiner Geschichte von den Anfängen bis zur Gegenwart. Trier: Wissenschaftlicher Verlag, 1993.

MÜLLER, Corinna. Frühe deutsche Kinematogaphie: Formale, wirtschaftliche und kulturelle Entwicklungen. Stuttgart and Weimar: Metzler, 1994.

MÜLLER, Corinna. Vom Stummfilm zum Tonfilm. Munich: Fink, 2003.
PRINZLER, Hans Helmut. Chronik des deutschen Films 1985-1994. Stuttgart and Weimar: Metzler, 1995.

REICHMANN, Hans-Peter; WORSCHECH, Rudolf (Eds.). Abschied von Gestern: Bundesdeutscher Film der sechziger und siebziger Jahre. Frankfurt: Deutsches Filmmuseum, 1991.

RENTSCHLER, Eric. Hollywood Made in Germany: Lucky Kids. In: RENTSCHLER, Eric. The ministry of illusion, 1936, pp. 99-122.

SPIKER, Jürgen. Film und Kapitel: Der Weg der deutschen Filmwirtschaft zum nationalsozialistischen Einheitskonzern. Berlim: Volker Spiess, 1975.

WETZEL, Kraft; HAGEMANN, Peter. Zensur. Verbotene deutsche Filme 1933-1945. Berlim: Volker Spiess, 1978. p. 44.

França

BENAVENT, Juliette. La télévision va-t-elle tuer la diversité du cinéma, Télérama, n. 2970, 13 dez 2006.

BILLARD, P. L´âge classique du cinéma français. Du cinéma parlant à la Nouvelle Vague. Paris: Flammarion, 1995.

CRETON, Laurent. L’économie du cinéma. Paris: Nathan, 2003.

DUTHEIL, Guy. Le retour du film du dimanche soir, Le Monde, 12 out. 2006.

FARCHY, Joëlle. L’industrie du cinéma. Paris: PUF, 2004.

FRODON, Jean-Michel. Produit-on trop de films en France, Cahiers du cinéma. Disponível em: <www.cahiersducinema.com>. Acesso em: 4 jan. 2007.

GRAS, Pierre. L’économie du cinéma, Cahiers du cinéma. Paris: Sceren-SNDP, 2005.

KESSLER, D. Le CNC, au coeur du cinéma français. In: Quelle diversité face à
Hollywood? Cinémaction, Conde-sur-Noirau, pp. 174-177, 2002.

LALEVÉE, Fabrice; LÉVY-HARTMANN, Florence. Réformer le compte de soutien à l’industrie cinématographique, Le Monde, 22 mai. 2007.

VULSER, Nicole. La forte bipolraisation du marché, Le Monde, 13 abr. 2007.

VULSER, Nicole. Cinéma et télévision, le désamour, Le Monde, 6 jan. 2007.

VULSER, Nicole. Limiter le nombre de copies de films dans les sales peut-il résoudre les maux du cinéma, Le Monde, 10 abr. 2007.

VULSER, Nicole. Défis en cascade pour le cinéma hexagonal, Matin Plus, 23 fev. 2007.

VULSER, Nicole. Les studios américains investissent dans le cinéma français, Le Monde, 31 jan. 2007.

Espanha

BORGA, M.; MANN, M. US International Services, Cross Border Trade in 2003 and Sales Through Affiliates in 2002, United States Bureau of Economic Analysis, out. 2004. Disponível em: <http://www.bea.doc.gov/bea/ARTICLES/2004/10October/1004_IntlServ.pdf>. Acesso em: 5 mar. 2005.

CINE POR LA RED. Plural Entertainment y Origen PC se alían con Warner para llevar al cine La Reina del Sur. Disponível em: <http://www.porlared.com/noticia.php?not_id=19727>. Acesso em: 15 abr. 2005.

DAWTREY, A. et al. Int’l auds stagnant despite multiplexes, variety.com, 3 jan. 2000. Disponível em: http://www.variety.com/article/VR1117760375?categoryid=13&cs=1&query=multiplex&display=multiplex>. Acesso em: 22 fev. 2005.

DE PABLOS, Emiliano. Spain’s Alatriste sets sail with Fox, U, variety.com, 17 fev. 2005. Disponível em: http://www.variety.com/article/VR1117918137?categoryid=1236&cs=1&query=alatriste&display=alatriste>. Acesso em: 22 fev. 2005.

DE PABLOS, Emiliano. Quality control, variety.com, 19 set. 2004. Disponível em: <http://www.variety.com/article/VR1117910659?categoryid=1838&cs=1&query=%2ª>.
Acesso em: 18 dez. 2004.

DE PABLOS, Emiliano. Pic packs do well in Spain, Variety (suplementar), p. 26, 19-24 fev. 2001.

DE PABLOS, Emiliano. Film distribution ripe for concentration, Variety, n. 380, pp. 5, 1997-98,18-24 set. 2000a.

DE PABLOS, Emiliano. Shaping up as a Spanish major, Variety, n. 377, pp. 10, 54, 24-30 jan. 2000b.

DE PABLOS, Emiliano. Cinema arm stretches out, Variety, n. 377, pp. 5, 96, 13-19 dez. 1999.

DE PABLOS, Emiliano; HOPEWELL, J. Feature production boosted by TV coin, Variety, n. 380, p. 5, 18-24 set. 2000c.

FUCHS, Dale. Spanish industry bemoans quotas continued in new film law, screendaily. com, 8 jun. 2007. Disponível em: <http://www.screendaily.com/ScreenDailyArticle.aspx?inStoryID=33066>. Acesso em: 8 jun. 2007.

GREEN, Jennifer. Spanish producers banking on repeat business, screendaily.com, 14 jan. 2005. Disponível em: <http://www.screendaily.com/story.asp?storyid=20569>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. Warner Bros. wraps first solo Spanish shoot, screendaily.com, 18 out. 2004a. Disponível em: http://www.screendaily.com/story.asp?storyid=19531>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spain’s MediaPro, Globomedia negotiate merger, screendaily.com, 6 out. 2004b. Disponível em: <http://www.screendaily.com/story.asp?storyid=19401>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spanish producers go for box office gold, screendaily.com, 5 mai. 2004c. Disponível em: <http://www.screendaily.com/story.asp?storyid=17427>. Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spanish films get increased TV funding, screendaily.com, 17 nov. 2003a. Disponível em: <http://www.screendaily.com/story.asp?storyid=15099>. Acesso em: 22 nov. 2004.

GREEN, Jennifer. If we do it right, Spain could become the gateway between Europe, the US and Latin America, Screen International, n. 1421, p. 14, 19 set. 2003b.

GREEN, Jennifer. Filmax shows off the money, Screen International, n. 1408, p. 4, 13 jun. 2003c.

GREEN, Jennifer. Spanish producer eyes gross-out teen market, screendaily.com, 19 mai. 2003d. Disponível em: <http://www.screendaily.com/story.asp?storyid=17427>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spanish gov’t plans to monitor TV investment in film, screendaily.com, fev. 2003e. Disponível em: <http://www.screendaily.com/story.asp?storyid=11353>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. The Spain attraction, Screen International, n. 1373, p.15, 20 set. 2002a.

GREEN, Jennifer. Spain’s independents face wealth gap, Screen International, n. 1341, pp. 1-2, 25 jan. 2002b.

GREEN, Jennifer. Not like all the others, Screen International, n. 1325, pp. 11-13, 21 set. 2001a.

GREEN, Jennifer. Spain hits a global note, Screen International, n. 1294, pp. 19-21, 2 fev. 2001b.

GREEN, Jennifer. Round Table, Screen International, n. 1294, p.10, 2 fev. 2001c.

GREEN, Jennifer. Spanish producers go for box office gold, screendaily.com, 5 mai. 2004c. Disponível em: <http://www.screendaily.com/story.asp?storyid=17427>. Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spanish films get increased TV funding, screendaily.com, 17 nov. 2003a. Disponível em: <http://www.screendaily.com/story.asp?storyid=15099>. Acesso em: 22 nov. 2004.

GREEN, Jennifer. If we do it right, Spain could become the gateway between Europe, the US and Latin America, Screen International, n. 1421, p. 14, 19 set. 2003b.

GREEN, Jennifer. Filmax shows off the money, Screen International, n. 1408, p. 4, 13 jun. 2003c.

GREEN, Jennifer. Spanish producer eyes gross-out teen market, screendaily.com, 19 mai. 2003d. Disponível em: <http://www.screendaily.com/story.asp?storyid=17427>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. Spanish gov’t plans to monitor TV investment in film, screendaily.com, fev. 2003e. Disponível em: <http://www.screendaily.com/story.asp?storyid=11353>.
Acesso em: 22 nov. 2004.

GREEN, Jennifer. The Spain attraction, Screen International, n. 1373, p.15, 20 set. 2002a.

GREEN, Jennifer. Spain’s independents face wealth gap, Screen International, n. 1341, pp. 1-2, 25 jan. 2002b.

GREEN, Jennifer. Not like all the others, Screen International, n. 1325, pp. 11-13, 21 set. 2001a.

GREEN, Jennifer. Spain hits a global note, Screen International, n. 1294, pp. 19-21, 2 fev. 2001b.

GREEN, Jennifer. Round Table, Screen International, n. 1294, p.10, 2 fev. 2001c.

HOPEWELL, J.; DE PABLOS, E. Rings king on Spain plain, variety.com, 9 mar. 2004b. Disponível em: <http://www.variety.com/article/VR1117901460?categoryid=1237&cs=1&query=alatriste&display=alatriste>. Acesso em: 7 dez. 2004.

HOPEWELL, J. Spanish exhibs unite for booking, variety.com, 12 mai. 2002a. Disponível em: <http://www.variety.com/article/VR1117866737?categoryid=19&cs=1&query=%2ª>. Acesso em: 22 nov. 2004.

HOPEWELL, J. Spanish government to help hype pix, Variety, n. 383, pp. 7, 14, 9-15 jul. 2001.

HOPEWELL, J.; SUTTER, M. Making an old world discovery, Variety, n. 385, pp. 9, 23, 21-27 jan. 2002b.

MONTERDE, J. E. El cine de la Autarquía (1939-1950), In: GUBERN, R. et al. Historia del cine español. Madrid: Cátedra, 1995.

MONZONCILLO, J. M. A.; VILLANUEVA, J. L. La situación de la industria cinematográfica española: políticas públicas ante los mercados digitales, documento de trabajo 92/2006. Madrid: Fundación Alternativas, 2006.

MUTTALIB, Bashirah. Spain’s studio rodeo, variety.com, 12 jan. 2005. Disponível em: <http://www.variety.com/article/VR1117916224?categoryid=8&cs=1&query=%2ª>. Acesso em: 17 jan. 2005.

PARDO, Alejandro. The Europe-Hollywood coopetition: cooperation and competition in the global film industry and markets, Cultural production in global content: the worldwide film industries. Nova York: New York Stern School of Business, 10-12 mai. 2007a.

PARDO, Alejandro. Spanish co-productions: commercial need or common culture? An analysis of international co-productions in Spain from 2000 to 2004. In: SALVODON, M.; BOUCHE, S. B. (Eds.). Crossing borders in recent European cinema. Boston: Cambridge Scholar Press, 2007b.

RIMBAU, Esteve. Public money and private business (or how to survive Hollywood’s imperialism): film production in Spain (1984-2002), Cineaste, pp. 56-61, 2003.

SCREEN INTERNATIONAL. Better the devil you know, n. 1373, p.16, 20 set. 2002. SEQUERA, David. “Los otros” y “Torrente 2” lanzan la cuota de mercado del cine español hasta el 18 por ciento, Cineinforme, n. 745, p. 16-24, mai. 2002.

SCREEN INTERNATIONAL. El apoyo a la promoción, “ayudas automáticas” con rango de ley y el fin de la cuota de pantalla, en el anteproyecto sobre el audiovisual, Cineinforme, n. 728, p. 8, 10, dez. 2000.

SEQUERA, D.; GALLEGO, J. Santiago Pozo (Arenas Group): nosotros hemos demostrado que el público hispano de Estados Unidos puede ser un mercado homogéneo, Cineinforme, n. 757, pp. 26-27, mai. 2003. SGAE. Encuesta sobre hábitos y prácticas culturales en España. Madrid: Ministerio
de Cultura, 2005.

STERN, Andy. Fera takes exception, variety.com, 16 jan. 2004. Disponível em: <http://www.variety.com/article/VR1117898599?categoryid=1237&cs=1&query=%2ª>. Acesso em: 21 nov. 2004.

TRIANA-TORIBIO, Núria. Spanish national cinema. Londres: Routledge, 2003.

VANIER, Fiona. Admissions to Spanish films drop by 44% in 2002, Screen Finance, v.16, n. 3, p. 4, 12 fev. 2003.

Europa Centro-Oriental

AITKEN, I. European film theory and cinema: a critical introduction. Edinburgh:Edinburgh University Press, 2001.

ALLAN, S.; SANDFORD, J. (Eds.). DEFA: east German cinema, 1946-1992. Nova York e Oxford: Berghahn Books, 1999.

BALIO, T. (Ed.). The American film industry. Madison: University of Wisconsin Press, 1985.

BERGHAHN, D. Censorship in east German cinema: the case of Spur der Steine.I In: GILES, S.; GRAVES, P.; LANG, P. (Eds.). From classical shades to vickers victorious: shithing perspectives in British German studies. Oxford: Bern, 1999, pp. 183-97.

BERGHAHN, D. The forbidden films: film censorship in East German cinema in the wake of the eleventh plenum. In: HOLMES, D.; SMITH, A. (Eds.). 100 years of European cinema: entertainment or ideology? Manchester: Manchester University Press, pp. 40-50, 2000.

BORDWELL, D.; STAIGER, J.; THOMPSON, K. The classical Hollywood cinema: film style and mode of production to 1960. Londres: Routledge & Kegan Paul, 1985.

BURNS, B. World cinema 5: Hungary. Trowbridge: Flicks Books, 1996.

CENTRAL EUROPE REVIEW, vol. 3, n. 17, 14 mai. 2001. Disponível em: <http://www.ce-review org/01/17/kinoeye17_hames html>.

CUNNINGHAM, J. Hungarian Cinema: from coffee house to multiplex. Londres: Wallflower Press, 2004.

GÁLIK, M. Who laughs last: film and broadcasting in Hungary. In: BOORSMA, P.; HEMEL, A. van; WIELEN, N. van der (Eds.). Privatization and Culture. Boston, Dordrecht e Londres: Kluwer Academic Publishers, 1998, pp. 131-41.

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